This page is for podcasters to advertise for actors, producers, editors, guests, etc. It should be noted that while these are basically help wanted ads, no podcast pays for its posting here.
This page will only be edited as I receive more listings. Be sure to check the dates on each listing to make sure they haven’t lapsed–and if they have, feel free to hit me up using my contact page or on Twitter.
For your wanted ad to be listed, please use my contact page. Feel free to include any links, relevant dates, etc.
THE BEACON Casting Call
Production title: The Beacon
Project format: Audio drama podcast
Project length: Multi-season series, 10 episodes in first season
Production location: La Crosse, WI / Online
Production Website: thebeaconpodcast.com
Initial Auditions: May 15 – June 15 2018 Recording: Mid-June – Mid-July 2018
Estimated Release: Late July 2018
The Beacon is an upcoming audio drama podcast initially told in the style of an in-universe podcast. It begins with the story of one college student who finds herself in possession of the magical ability to summon fire, followed by her efforts to find others like who have abilities like hers. As the number of people revealed to have similar powers grows, the implications of these powers rise to the surface, and the characters find themselves almost as much in conflict with each other as they are with the equally powerful monster stalking their campus.
This show is a first-time production based out of Wisconsin. Those auditioning are not expected to be available in the same area, as recording will take place remotely and independently. Table reads and additional direction for actors will be available during the recording period of production.
Actors of all levels of experience are welcome to audition, but are expected to have reasonable quality of recording equipment and access to a recording environment with minimal background noise. Actors can apply for multiple roles they may feel suited to. It is only requested that you do not apply for roles meant to represent minorities and marginalized groups if you do not share their identity.
We’re All Lonely People Casting Call
Casting for episodes 1&2 has begun. Please note that currently these are unpaid roles. If the podcast brings in any revenue, actors will be compensated.
To audition, record lines corresponding to the role you desire from this audition sheet, fill out this form, & send your auditions to email@example.com. The deadline for current auditions is May 31, 2018. Feel free to contact me at the email above with any questions.
Auditions are being accepted for the following roles:
Male. Thirties. Our narrator is sarcastic and snarky, an attitude that shows how cynical and jaded he is. A knowledgeable veteran of PHP, the narrator explains the ins-and-outs of the program while he reflects on his time there.
Female. Thirties. Theresa is the resident therapist. She’s warm and friendly, but almost too much so. She’s the kind of person who maintains eye contact and a smile long after a conversation is over. Yes, that person. Theresa wants to help people in the program, but no one ever considers the toll it takes on her.
Male. 70’s-80’s. Textbook old man. He can’t remember where his car keys or when his appointments are. Greg entered the program because he feels like the world is pushing his generation out to make way for a new one. He feels out of place and lost in a world full of language and technology he doesn’t understand.
Female. Late teens. Recent college dropout. She’s punk, says “like” too many times, and is very outspoken unless she’s the center of attention. Her bipolar and borderline personality disorders ran rampant in college, where she was sucked into a toxic environment full of alcohol abuse and vicious manic/depressive mood swings. She’s in PHP to get leveled out so that she can go back to school.
Male. Middle-Aged. Widower. Dan’s incredibly negative and fixated on the past. He blames himself for the death of his significant other 10 years ago and seems incapable of moving on from her death. He is depressed, suicidal, and resistant to help. He’s in PHP because his daughter pushed him to enter the program after being suicidal.
Female. Early twenties. single mother of 2. She’s tightly wound, obsessive, and neat. She doesn’t want to let her kids down, and that motivates her to make the best of the program. She landed in PHP after a stress-induced drunk-driving accident. She wants to be a good mom, but is having difficulty dealing with the stress of being a single mother.
Male. Late twenties. This season follows Brad’s journey through PHP. He’s depressed and suicidal, suffering from low self-worth and trapped in cycles of negative thought and self-talk. He feels undeserving of his families love and care and doesn’t really want to be in PHP but sticks it out for the sake of his wife and kids.
Female. Middle aged. Mother. Bonnie is tough from a life of physical and emotional abuse, but is depressed and weary of being treated like she’s worthless, most recently by her unfaithful husband. She doesn’t believe that the program is going to help her and that it’s a disappointing waste of time.
Male. Twenties. Once a star basketball player, an injury led Troy down a path of reliance on prescription drugs. Now, after a near-death experience, Troy is dead set on getting clean and straightening his life out. PHP is court ordered for his prescription drug addiction and suicidal tendencies.
GRP roles are unpaid gigs. This is a labor of love. Knoxville-area residents only. Must be over 18 years of age to participate in the podcast.
Please do not apply for roles meant to represent minorities and marginalized groups if you do not share their identity. This means you must be a transgender person to play a trans character, you must be a person of color to play POC characters, you must be an Autistic person to play an Autistic character, etc.
If race is not specified in the role description, that does not mean the character is therefore white — in The Ghost Radio Project, white is not a “default.” Representation is very important to us. We want our cast to reflect real life and all the diversity therein. So, if you think you could play the character, please audition! No past acting experience is required.
[Visit the site linked above and] Click a gender above to view available roles and apply. Alternatively, you may email firstname.lastname@example.org and let us know which role you are interested in to start the audition process. We will send you an audition script, and you will send us a quick video or audio audition. Please apply NOW, as our roles tend to fill very quickly. The first person to nail it gets the role, so make sure you’re at the top of the list by applying sooner rather than later.
- News Anchor: Play a professional news anchor who works for the national news. All ages (18+) and identities are needed Should be able to do the monotone news-style voice.
- Preacher: Fire-and-brimstone preacher out in the middle of the desert. Male, should sound between age 40 and 60. Few lines, but lines are very intense. Meant to sound haunting, eerie, a little scary. Lots of yelling. High-energy role. Race not specified.
- Soldiers: Seeking multiple actors to play soldiers in the U.S. Army who patrol the Outlands and send out various military communications. All ages (18+) and identities are needed for these roles!
- Farmers, homesteaders, and other outlanders: Play one of the many amazing people who manage to survive and thrive in the Outlands. These include all those who are friends to the Ghosts.
- Panicked homesteader: A homesteader somewhere in the Outlands is under attack and sends out a panicked SOS transmission. Must be able to express adrenaline and fear. Age, race, and gender not specified.
- Traffickers, marauders, and other fiends: If you’ve always wanted to play a “bad guy,” this is for you. Pull out your meaner side and terrify our audience as one of the many scumbags in the Outlands who make their living by preying on the innocent.
Podcast Advocate is open to take on a new client, podcast, or other audio project. You can find more about me and what I do at http://PodcastAdvocate.Network/editing and listen to samples of my work at http://PodcastAdvocate.Network/portfolio. I’d love to hear from you so if you have questions, I’m @PodcastAdvocate on the twitters, or PodcastAdvocate@gmail.com.
Looking For All Kinds of Help For Audiodrama Podcast
Hi, I make the audiodrama podcast At The End Of The Line, with the idea being it’s a post-apocalyptic travel show as the host journeys around a ruined England. Basically I get to play with every different apocalyptic scenario you can think of – zombies, Artificial Intelligence, plagues.
I pretty much do everything by myself and I’m looking for other people to be involved, it can be behind the scenes with writing, editing, music etc., but also looking for voice actors. The show is essentially one person, Richard Oliver, relaying what has happened recently but I want to have more “guests” being interviewed as well as having other actors to do segments or allow me greater options with narrative than me being the sole voice actor currently allows.
Any help would be greatly appreciated with full credit given but unfortunately no money.
Below is the website so you can see what the show is like –
Anyone interested me email – email@example.com or get in touch via twitter – @postapocpodcast
An Old Fashioned Hell House Coming Down In Three Parts Harmony
An Old Fashioned Hell House Coming Down In Three Parts Harmony is a dark comedy about Carl, the owner of a haunted house ride at a declining amusement park, on a night that he bumps into an old classmate in Mike, who is waiting for his girlfriend to get off from work at the park.
Carl- Male 20-30s. Eccentric, grandiose, weary and manic.
Mike- Male 20-30s. Composed and mild mannered.
For the audition choose the role you’d like to audition and record that characters lines from the sample script. If you are auditioning for both roles please record and send both separately. Send files in MP3 format to firstname.lastname@example.org
Files should be labeled (Your Name)_(Role).MP3
Looking to cast voice actors in the Los Angeles area. This is a non paying gig.
Link to audition script
“Preserve This Podcast” Project Coordinator – The Metropolitan New York Library Council (METRO)
The Project Coordinator is a temporary, 20-hour per week position running from date-of-hire through December 2019. This position is open to both new and experienced project managers and information professionals interested in supporting advances in born-digital audio preservation and community outreach through managing an education and outreach program focused on podcast preservation.
The position’s responsibility will be as day-to-day coordinator of METRO’s “Preserve This Podcast” tutorial and outreach project, an exciting new expansion of METRO’s community digital archiving programs into the world of podcasting and born-digital audio. The “Preserve This Podcast” project is part of a two-year, Mellon Foundation funded initiative to spread awareness and knowledge about the needs, strategies, and technologies of podcast preservation to independent audio producers and A/V archivists, helping them take measures to ensure that independently produced podcasts don’t disappear or become inaccessible over time. The information and tutorials will be transmitted via a short podcast series, a zine, a website, a set of guidelines, social media, and several in-person tutorials. It will be the role of the Project Coordinator to help support these activities and manage the logistics of the grant.
Podchaser looking for a React developer
We are looking for a React developer to help implement our design mockups as fully functional components to be integrated into the site as we design and develop new features for Podchaser.
We are creating the premiere podcast directory Podchaser (https://podchaser.com ) , and are ramping up development of our core feature set for 2018 and beyond. We have a massive roadmap full of great ideas, and we need somebody to come on board and help us bring them to life. A love and knowledge of podcasts is a big plus!
You will initially be tasked with implementing presentational components that will need to match the given mockups as closely as possible. Our developers will set up use cases for you (we use Storybook for this) and you will have the Photoshop designs to work from.
Beyond this, we would love to find somebody to join the company on a permanent basis, so as you become familiar with the project you will be writing connected components and frontend logic with Redux and Redux-Saga.
General design and UI/UX experience will also be highly valued if you are joining the company permanently, as you will become a member of our design team and will have the opportunity to contribute to new features and designs.
This is a 100% remote position and communication with the team will be done daily via Slack, as well as voice and video meetings on a regular basis. We are working towards a sprint based development cycle and have weekly standups to determine goals for the week, though you will be expected to keep the rest of the team up to date with your progress daily.
Diverse candidates welcome and encouraged!
Requirements: Strong in React, ES6, CSS, HTML5
Nice to have: A love of podcasts!
Experience in Redux, Redux-Saga, Webpack Design experience UI/UX experience Experience writing tests in jest/karma/etc
Please contact email@example.com for more information.
Casting Call for The Dreamer’s City
The Dreamer’s City is an upcoming large-cast, episodic audio drama podcast slated to be released mid-2018. It follows a group of people who meet after having been dropped unceremoniously into a hellish city that wants nothing more than to absorb them into becoming the terror it throws at them. While trying to find a way out and fighting to stay sane against the world, they also have to fight to stay alive and free from cults and groups who would enslave them.
There are a total of six (6) lead voice roles and numerous (20+) additional supporting roles needed for the first season (and beyond). Each role is expanded upon below, as well as the sides required for the audition.